Coming Full Circle - Hotel on the Corner of Bitter and Sweet
Some of you may remember reading Hotel on the Corner of Bitter and Sweet by Jamie Ford in Freshmen English, but for those of you that either haven't read it or need a quick refresher, Hotel on the Corner of Bitter and Sweet follows Henry Lee, a 12-year-old Chinese-American boy, as he develops a close bond with a Japanese-American girl named Keiko Okabe. However, the story takes place a few months after the attack on Pearl Harbor so the government is prosecuting Japanese-Americans, including Keiko, and sending them to internment camps. Furthermore, Henry faces the challenge of keeping his relationship with Keiko hidden from his father who absolutely despises Japanese people.
Throughout the novel, Henry's coming of age process focuses on the dynamics of independence and dependence. Like any kid, Henry began by relying on his parents for most things and obeyed them even when he disagreed with what they told him to do. However, when Henry's father discovers pictures of Keiko hidden in Henry's room, he harshly reprimands Henry and throws the pictures out of the window, demanding Henry to forget about Keiko. Instead, Henry defies his father and storms out of their apartment to retrieve Keiko's photos, thinking that "maybe this is what it meant to stop being a boy and start being something else" (Ford 257). Following Henry's first decision independent from his father's wishes, he is disowned by his father and is subsequently thrown into the adult world.
The next evolution in Henry's coming of age journey takes place when he contemplates whether to visit Keiko who just recently moved to a farther internment camp. Instead of making an immediate decision like in the previous scene, Henry considers the current situation with his bedridden father and concludes that "running off wasn't responsible" since it would leave no one to take care of his mother (294). Although Henry's awareness does show growth in his maturity, in the end, Henry's desires get the better of him as he departs, leaving his mother behind.
After visiting Keiko, Henry doesn't receive a letter from her for six months despite consistently sending letters of his own, and eventually he gives up on her, thinking that she forgot about him. Soon after, Henry begins dating Ethel, the clerk who works at the post office where he sent his letters from, and a couple years later, Henry asks Ethel to marry him. However, shortly after proposing to Ethel, Henry learns that his father intercepted all of his and Keiko's letters which sends him on a frantic hunt to find Keiko and tell her the truth. With his newly engaged fiance chasing after him though, Henry is met with a situation that resembles the scene in the last paragraph where he prioritized Keiko over caring for his mother. This time though, Henry gives up on Keiko once and for all, realizing that if he continued to search for her, "he'd break Ethel's heart, and he knew she didn't deserve that" (369). By understanding that Ethel's happiness depends on him and making the bitter decision to prioritize her over his own dream with Keiko, Henry displays a large growth in maturity while also demonstrating how in the transition from a child to adult, one typically goes from dependent to dependable.
I don't think I like this story very much lol. He ends up settling? I understand the coming-of-age elements being mainly focused on his independence; however, from what I've read, it seems a bit anti-climatic. The whole movie they're searching for each other and in the end he gives up on his happiness to give Ethel hers? There's not even any closure. I wish they would've at least met up at the end.
ReplyDeleteLol Henry and Keiko do meet up at the end! (Although it's when they're both like 70 years old and their spouses both have died...) The story actually kind of goes back and forth from Henry's 70-year self and his teenager-self but I just chose to focus on his teenager narrative in my essay.
DeleteThe "goes from dependent to dependable" is a really neat phrase and perfectly ties in your points! One part that made me realize that he matured was when you pointed out that Henry gave up on looking for Keiko because he didn't want to ruin his relationship with Ethel--it really shows Keiko was his past and Ethel was his future, and he needs to focus his attention on his current relationship.
ReplyDeleteI am not going to lie, this story is a little sad to me and definitely one of those "the one who got away" stories. However, I really like how you laid it out and it's definitely more mature in the sense that it isn't just the happy, predictable ending that one would expect. Kind of like La La Land, I find these endings upsetting, yet satisfying in a way because it's much more realistic. I also feel like ending up with Ethel (at least in his teenage/young years) kind of leaves more room for growth because if he ended up with Keiko, I feel like his narrative would just be the typical, "follow your heart!" or "keep trying no matter what and it'll pay off!" which is definitely a great message to tell but really overdone. As a result, I feel like Henry "settling" for Ethel is kind of refreshing in a way and kind of makes his coming-of-age less cliche.
ReplyDeleteI think it's really interesting how you focus on Henry's relationship with his parents. He ends up having to choose between people he loves, because he doesn't want to leave his mother behind, but he also wants to see Keiko, and I think that choosing to visit Keiko shows his independence. And again, later he has to choose between Ethel and Keiko, choosing to stay with Ethel even though he still loves Keiko. I like how you focus on his relationships and love, because those are important parts of coming-of-age.
ReplyDeletewow, I forgot about this book but it's a really great example! It definitely presents a different take on this concept. I remember being kind of disappointed when I read it, like I was scammed out of something I was looking forward to. It also makes me pretty sad that that was his coming of age- being with something he didn't actually really want to be with (settling? I think is the word). That isn't to say he didn't love Ethel, I'm sure they grew to be happy, but there wasn't this sort of spark to their relationship. I think it's sort of a disheartening way to look at it, even though it was his most realistic course of action. Still I think this is an crucially important story which adds a lot of nuance to the whole conversation around Coming of age.
ReplyDeleteI remember reading this with Rayburn!!! I remember reading this book in a day lol. Anyways, I never thought about it as a "coming of age" novel. After reading your post, I noticed that in this story and other coming of age stories, characters usually have to choose between societal/familial obligations and what they truly desire. Once they choose a path that seems morally correct to the reader, they have "come of age". However, I don't know if this will be true in the Catcher in the Rye!
ReplyDeleteI've never read this novel, so it's much harder for me to comment on it. However, I would agree that this seems to be a coming of age novel from my understanding of it. Henry seems to mature into a young man by defying his father to be in a relationship. However, he also comes of age by marrying another girl after realizing it would be unfair to her to run off with Keiko. He develops emotional maturity by being able to make his own decisions.
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